Unfuckingtitled (music playing)
2023
Reinforced concrete, colour pigment, rebar
89 x 65 x 8 cm / 35 x 25.6 x 3.1 in
silent apple, Installation view, Changwon Sculpture Biennale, Changwon, KR, 2024
(Unfuckingtitled) wheres hunger heres hunger nows here x
2023
Reinforced concrete and pigment
128 x 110 x 57 cm / 50.4 x 43.3 x 22.4 in
(Unfuckingtitled, etfuckingcetera) love remember careful hungry…(house-plant)
2023
Lipstick on canvas
49.6 x 64.8 x 5 cm / 19.5 x 25.5 x 2 in, framed
(Unfuckingtitled) music playing
2023
Reinforced concrete
178 x 113 x 54 cm / 70.1 x 44.5 x 21.3 in
Unfuckingtitled (left)
2020
Olive oil, lipstick and cement on paper
46.5 x 34.5 cm / 18.5 x 13.5 in
(UnfuckingTitled) HAPPY SORRY A F fffffffffffffffffffffffffff
2022
Reinforced concrete, pigment, rain-soaked paperbacks
183 x 92 x 72 cm / 72 x 36.2 x 28.3 in
(UnfuckingTitled) HAPPY END
2022
Reinforced concrete, pigment
134.5 x 135 x 54 cm / 53 x 53.1 x 21.3 in
Jungle is Massive, Installation view, Herald St,
London, UK, 2022
Unfuckingtitled, Installation view, CC Strombeek, Grimbergen, BE, 2021
(UnfuckingTitled) IM SORRY poverty
2022
Reinforced concrete, pigment, plastic bottles,
rain-soaked paperbacks
133 x 122 x 58 cm / 52.4 x 48 x 22.8 in
Kiss Emitting Die Odes, Installation view, Herald St | Museum St, London, UK, 2021
Kiss Emitting Die Odes, Installation view, Progetto, Lecce, IT, 2020
Unfucking Titled (fuck)
2021
Reinforced concrete and pigment
175 x 67 x 55 cm / 68.9 x 26.4 x 21.6 in
SEEN CAPACITY FOR FEELING WHERE FEELINGS APPEAR NOWHERE (Working Title)
2020
Concrete, steel reinforced
192 x 87 x 80 cm / 75.6 x 34.3 x 31.5 in
Michael Dean – The End, Installation view, Converso, Milan, IT, 2020
Transparent Things, Installation view, Goldsmiths CCA, London, UK, 2020
Transparent Things, Installation view, Goldsmiths CCA, London, UK, 2020
O (Working Title)
2019
Reinforced concrete, steel, paint, PVA, cement
196 x 70 x 68 cm / 77.2 x 27.6 x 26.8 in
Michael Dean: Laughing for Crying, Installation view,
St Carthage Hall, Lismore Castle Arts, Lismore, IE, 2019
Tu texto aquí, Installation view, Museo Rufino Tamayo,
Mexico City, MX, 2019
Having you on, Installation view, BALTIC Centre for Contemporary Art, Gateshead, UK, 2018
Unfucking Titled
2018
Steel, concrete, corrugated plastic, balloons, cable ties, padlocks and scene tape
230 x 165 x 335 cm / 90.6 x 65 x 131.9 in
Analogue Series (Not Yet Titled)
2018
Ink stained publications, cable ties
20 x 56 x 30 cm / 7.8 x 22 x 11.8 in
Teaxths and Angeruage, Installation view, Portikus,
Frankfurt, DE, 2017
LLLLOLLLL (Working Title)
2018
Concrete, steel reinforcement, plastic and cable ties,
'analogue lol' paperback book
195 x 80 x 95 cm / 76.7 x 31.4 x 37.4 in
Hepworth Prize for Sculpture 2018, Installation view, The Hepworth Wakefield,
Wakefield, UK, 2018
Installation view, Skulptur Projekte, Münster, DE, 2017
Four Fucksakes, Installation view, Herald St | Museum St, London,
UK, 2017
Unfucking Titled (Fucksake)
2017
Concrete and steel
206 x 42 x 38 cm / 81.1 x 16.5 x 15 in
Lost True Leaves, Installation view, Nasher Sculpture Center, Dallas, US, 2016
Turner Prize 2016, Installation view, Tate Britain, London, UK, 2016
EF (working title)
2016
Concrete, steel, book pages (scare hate), paperback publication and red ink
179.8 x 109.2 x 118.8 cm / 70.8 x 43 x 46.8 in
Sic Glyphs, Installation view, South London Gallery, London, UK, 2016
now (Working Title), United Kingdom poverty line of Sixteen thousand seven hundred pounds sterling translated at an exchange rate of 1.27 on Christmas day 2014 into two million one hundred and twenty thousand nine hundred euro cents
2015
Concrete, coins
4 sculptures, each: 240 x 45 x 6 cm / 94.4 x 17.7 x 2.3 in
hah ahahahahahah ah ahahah, Installation view, Herald St, London,
UK, 2013
analogue series (tongue)
2013
Concrete
6.5 x 7.5 x 9 cm / 2.5 x 2.9 x 3.5 in
yesterday (working title)
2012
Concrete
77 x 24 x 5 cm / 30.3 x 9.4 x 1.9 in
yes no (working title)
2012
Concrete, sofa, magazine
73.5 x 152 x 84 cm / 29 x 60 x 33 in
Cope, Installation view, Herald St, London, UK, 2011